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CU С����Ƶ Professor Ernesto Acevedo-Munoz explains the history of the Oscars, the pressure on the academy to be more inclusive and the changes that still need to be made in Hollywood.

Computational linguist Alexis Palmer spoke with CU С����Ƶ Today about the popular online word game, strategies to win and how Wordle offshoots could benefit lesser-known languages.

CU С����Ƶ’s Iskra Fileva has won the Public Philosophy Op-Ed Contest for her 2020 essay about the dust-up surrounding Kobe Bryant’s death and life, exploring the social pressure to pretend those who have died were good people.

She’s a trapeze artist. He’s a computer scientist. Together, they’re hoping to redefine immersive performance. 

Vocal empowerment programs can promote a positive sense of self-perception among young Egyptian women and increase their willingness to express opinions on issues affecting their communities, according to a new CU С����Ƶ study.

Ernesto Acevedo-Muñoz, cinema studies chair—and man who’s “morally opposed” to remakes—gives a thumbs-up to Steven Spielberg’s Oscar Award-nominated version of “West Side Story.”

The successful completion of the music+ campaign illustrates the commitment of the campus and community to music education and the performing arts. The college is celebrating the generosity of its supporters and continuing to build one of the premier public music programs in the country.

CU С����Ƶ’s American Music Research Center is creating a comprehensive digital archive of the Grauman Theatre Scores Collection.

This summer, Cuban citizens erupted into a series of protests against their government. In this Q&A, Professor Susan Thomas speaks about the role musicians played in the recent demonstrations and in Cuban protests throughout history.

CU С����Ƶ’s internationally renowned Takács Quartet won a 2021 Gramophone Classical Music Award in the Chamber category for their 2019 recording of two complementary piano quintets with pianist Garrick Ohlsson.